{"id":2778,"date":"2025-01-16T05:01:28","date_gmt":"2025-01-16T10:01:28","guid":{"rendered":"https:\/\/radyomunzur.com\/?p=2778"},"modified":"2025-01-16T05:01:28","modified_gmt":"2025-01-16T10:01:28","slug":"yasar-usta-kundura-tamirciliginin-kaybolan-sanatini-yasatiyor","status":"publish","type":"post","link":"https:\/\/radyomunzur.com\/?p=2778","title":{"rendered":"Ya\u015far Usta, Kundura Tamircili\u011finin Kaybolan Sanat\u0131n\u0131 Ya\u015fat\u0131yor"},"content":{"rendered":"

\u00a0Ye\u015fil\u00e7am filmlerinde M\u00fcnir \u00d6zkul\u2019un canland\u0131rd\u0131\u011f\u0131 unutulmaz karakter Ya\u015far Usta, bir sahnede patrona meydan okur: \u201cSen… B\u00fcy\u00fck patron, milyarder, para babas\u0131, fabrikalar sahibi… Sen mi b\u00fcy\u00fcks\u00fcn? Hay\u0131r, biz b\u00fcy\u00fc\u011f\u00fcz, biz\u201d <\/strong><\/p>\n

Bug\u00fcn\u00fcn milyarderleri ise b\u00fcy\u00fck markalar, h\u0131zl\u0131 t\u00fcketim al\u0131\u015fkanl\u0131klar\u0131 ve ucuz \u00fcretimle eme\u011fi tehdit ediyor. <\/strong><\/p>\n

\u0130\u015fte o sahnedeki gibi bir duru\u015f, bir zanaata adanm\u0131\u015f \u00f6m\u00fcr ve usta Ya\u015far Usta var Dersim\u2019de. Babas\u0131ndan devrald\u0131\u011f\u0131 ayakkab\u0131 tamircili\u011fini yar\u0131m as\u0131rd\u0131r s\u00fcrd\u00fcren Dersim\u2019in Ya\u015far ustas\u0131, sadece bir mesle\u011fi de\u011fil, sabr\u0131 ve eme\u011fi de ayakta tutuyor.<\/strong><\/p>\n

Dersim\u2019in Ya\u015far ustas\u0131, kundura tamircili\u011fiyle bu soruyu yeniden soruyor: B\u00fcy\u00fck olan kim? Milyarder markalar m\u0131, yoksa y\u0131llar\u0131n eme\u011fiyle ayakta kalan bu k\u00fc\u00e7\u00fck d\u00fckk\u00e2nlar m\u0131? Cevab\u0131 ne olursa olsun “emek” en b\u00fcy\u00fck de\u011fer.<\/strong><\/p>\n

 <\/p>\n

 <\/p>\n

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Ya\u015far Usta, Kundura Tamircili\u011finin Kaybolan Sanat\u0131n\u0131 Ya\u015fat\u0131yor<\/figcaption><\/figure>\n

Bir zanaat\u0131n ard\u0131nda<\/strong><\/p>\n

Ya\u015far \u00c7akmak, 1960 y\u0131l\u0131nda Dersim\u2019de d\u00fcnyaya gelmi\u015f. Ailesi, 1954 y\u0131l\u0131nda Hozat\u2019\u0131n Karaca k\u00f6y\u00fcnden Dersim\u2019e g\u00f6\u00e7 etmi\u015f. Babas\u0131, \u00f6nce \u00e7ay oca\u011f\u0131nda \u00e7al\u0131\u015fmaya ba\u015flam\u0131\u015f, sonra da elini ayakkab\u0131c\u0131l\u0131kla tan\u0131\u015ft\u0131rm\u0131\u015f. Ya\u015far Usta, babas\u0131n\u0131n izinden gitmi\u015f, ancak hayat\u0131n\u0131n d\u00f6n\u00fcm noktalar\u0131ndan birini 1980\u2019lerin ba\u015f\u0131nda ya\u015fam\u0131\u015f. Bir g\u00fcn \u00fcniversite s\u0131nav\u0131na girer, fakat siyasi olaylar nedeniyle okuldan ayr\u0131lmak zorunda kal\u0131r. O d\u00f6nemde ya\u015fanan korku dolu g\u00fcnlerden sonra memuriyeti de d\u00fc\u015f\u00fcn\u00fcr, ancak babas\u0131 ona bu yolu \u00f6nermez. Babas\u0131n\u0131n \u00f6\u011f\u00fcd\u00fc, \u201cMemurlar benden bor\u00e7 para ister, gel sen zanaat \u00f6\u011fren\u201d olur. O g\u00fcnden sonra Ya\u015far Usta, mesle\u011fi \u00f6\u011frenmeye ba\u015flar ve y\u0131llar i\u00e7inde bu i\u015fin ustas\u0131 olur.<\/p>\n

Ayakkab\u0131c\u0131l\u0131\u011f\u0131n gelece\u011fi<\/strong><\/p>\n

Ya\u015far Usta, yapt\u0131\u011f\u0131 i\u015fin sadece bir tamir de\u011fil, ayn\u0131 zamanda bir sanat oldu\u011funu vurguluyor. Mesleklerinin kaybolmak \u00fczere oldu\u011fundan endi\u015feli. Ona g\u00f6re ayakkab\u0131c\u0131l\u0131\u011f\u0131n gelece\u011fi, t\u00fcketim k\u00fclt\u00fcr\u00fcn\u00fcn yayg\u0131nla\u015fmas\u0131ndan nasibini alm\u0131\u015f. Bug\u00fcn, ucuz ve k\u0131sa \u00f6m\u00fcrl\u00fc ayakkab\u0131lar, insanlar taraf\u0131ndan kolayca sat\u0131n al\u0131n\u0131p, at\u0131l\u0131yor. \u201cBir ayakkab\u0131 al\u0131rs\u0131n\u0131z, bir ka\u00e7 hafta sonra \u00e7\u00f6pe at\u0131l\u0131r,\u201d diyor Ya\u015far Usta. Ama o, bir zamanlar bu mesle\u011fin \u00e7ok daha de\u011ferli oldu\u011funu ve Avrupa\u2019da hala bu i\u015fin sanatsal bir de\u011fer ta\u015f\u0131d\u0131\u011f\u0131n\u0131 belirtiyor. Avrupa\u2019da bir ki\u015fi ald\u0131\u011f\u0131 ayakkab\u0131y\u0131 y\u0131llarca kullanmak i\u00e7in tamir ettirirken, T\u00fcrkiye\u2019de t\u00fcketim al\u0131\u015fkanl\u0131klar\u0131 daha bask\u0131n hale gelmi\u015f.<\/p>\n

El sanatlar\u0131na ilgi azal\u0131yor<\/strong><\/p>\n

Ya\u015far Usta, gen\u00e7lerin geleneksel zanaatlere ilgi g\u00f6stermemelerinden \u015fikayet\u00e7i. Ancak sadece ayakkab\u0131c\u0131l\u0131k de\u011fil, terzilik, berberlik, kalfal\u0131k gibi i\u015f\u00e7ilik gerektiren mesleklerde de ayn\u0131 s\u0131k\u0131nt\u0131y\u0131 ya\u015fad\u0131\u011f\u0131n\u0131 ifade ediyor. \u201cGen\u00e7ler sadece okumay\u0131 tercih ediyor, ama el i\u015f\u00e7ili\u011fi \u00f6\u011frenmeliler. \u00c7\u00fcnk\u00fc sadece okumakla hayat ge\u00e7mez,\u201d diyor. Ona g\u00f6re bu meslekler, t\u0131pk\u0131 bir anne hizmeti gibi insanlar\u0131n ihtiya\u00e7lar\u0131n\u0131 gideriyor. Bir ayakkab\u0131 tamir edilerek tekrar kullan\u0131labilir, bir terzi de eski elbiseyi yeni gibi yapabilir. Ya\u015far Usta, bu t\u00fcr sanatlar\u0131n unutulmamas\u0131 gerekti\u011fini vurguluyor.<\/p>\n

Ya\u015far Usta\u2019ya y\u0131l\u0131n Ahisi \u00f6d\u00fcl\u00fc<\/strong><\/p>\n

Ya\u015far Usta, zanaat\u0131ndaki ba\u015far\u0131s\u0131n\u0131 bir ad\u0131m daha ileriye ta\u015f\u0131m\u0131\u015f. 2015 y\u0131l\u0131nda Dersim\u2019de y\u0131l\u0131n ahisi se\u00e7ilmi\u015f. Ahilik, sadece bir meslek de\u011fil, bir k\u00fclt\u00fcrd\u00fcr. Ahilik, esnaf ve zanaatkarlar\u0131n, birlikte \u00e7al\u0131\u015farak topluma hizmet etmeleri anlay\u0131\u015f\u0131d\u0131r. Ya\u015far Usta, bu \u00f6d\u00fcl\u00fc almas\u0131n\u0131n sebebini, yapt\u0131\u011f\u0131 i\u015fin insanlar\u0131n ihtiyac\u0131n\u0131 kar\u015f\u0131lamas\u0131nda buluyor. \u201cBize sahip \u00e7\u0131k\u0131n, bu sanatlar\u0131 ya\u015fat\u0131n. Avrupa bunu de\u011ferli k\u0131l\u0131yor, neden biz de k\u0131lmayal\u0131m?\u201d diyor.<\/p>\n

Ya\u015far Usta\u2019n\u0131n \u00e7a\u011fr\u0131s\u0131<\/strong><\/p>\n

Ya\u015far Usta, son s\u00f6zlerinde bu sanatlar\u0131n ayakta kalabilmesi i\u00e7in gen\u00e7lerin ilgisini bekliyor. \u201cAya\u011fa kalk\u0131n, bu sanatlar\u0131 ya\u015fat\u0131n, zarar etmeyiz,\u201d diyor. \u00d6mr\u00fcn\u00fc bu zanaata adayan Ya\u015far Usta, hem kendi mesle\u011fi hem de di\u011fer geleneksel sanatlar i\u00e7in gelecekten umutlu bir \u0131\u015f\u0131k yakmaya \u00e7al\u0131\u015f\u0131yor. Dersim\u2019de belki de bir g\u00fcn ba\u015fka bir gen\u00e7, Ya\u015far Usta\u2019n\u0131n izinden gider ve bir kadim zanaat daha hayat bulur.<\/p>\n

Ya\u015far Usta, yaln\u0131zca bir kundura tamircisi de\u011fil; ayn\u0131 zamanda bir k\u00fclt\u00fcr\u00fcn, bir sanat\u0131n son temsilcisi. Onun hikayesi, mesle\u011fin kaybolmamas\u0131 i\u00e7in verdi\u011fi m\u00fccadelenin bir yans\u0131mas\u0131d\u0131r.<\/p>\n

DERS\u0130M\/Sevim KAHRAMAN<\/strong><\/p>\n

\"\" \"\" \"\"<\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0Ye\u015fil\u00e7am filmlerinde M\u00fcnir \u00d6zkul\u2019un canland\u0131rd\u0131\u011f\u0131 unutulmaz karakter Ya\u015far Usta, bir sahnede patrona meydan okur: \u201cSen… B\u00fcy\u00fck patron, milyarder, para babas\u0131, fabrikalar sahibi… Sen mi b\u00fcy\u00fcks\u00fcn? Hay\u0131r, biz b\u00fcy\u00fc\u011f\u00fcz, biz\u201d Bug\u00fcn\u00fcn milyarderleri ise b\u00fcy\u00fck markalar, h\u0131zl\u0131 t\u00fcketim al\u0131\u015fkanl\u0131klar\u0131 ve ucuz \u00fcretimle eme\u011fi tehdit ediyor. \u0130\u015fte o sahnedeki gibi bir duru\u015f, bir zanaata adanm\u0131\u015f \u00f6m\u00fcr ve usta Ya\u015far Usta var Dersim\u2019de. Babas\u0131ndan devrald\u0131\u011f\u0131 ayakkab\u0131 tamircili\u011fini yar\u0131m as\u0131rd\u0131r s\u00fcrd\u00fcren Dersim\u2019in Ya\u015far ustas\u0131, sadece bir mesle\u011fi de\u011fil, sabr\u0131 ve eme\u011fi de ayakta tutuyor. Dersim\u2019in Ya\u015far ustas\u0131, kundura tamircili\u011fiyle bu soruyu yeniden soruyor: B\u00fcy\u00fck olan kim? Milyarder markalar m\u0131, yoksa y\u0131llar\u0131n eme\u011fiyle ayakta kalan bu k\u00fc\u00e7\u00fck d\u00fckk\u00e2nlar m\u0131? Cevab\u0131 ne olursa olsun “emek” en b\u00fcy\u00fck de\u011fer.     Bir zanaat\u0131n ard\u0131nda Ya\u015far \u00c7akmak, 1960 y\u0131l\u0131nda Dersim\u2019de d\u00fcnyaya gelmi\u015f. Ailesi, 1954 y\u0131l\u0131nda Hozat\u2019\u0131n Karaca k\u00f6y\u00fcnden Dersim\u2019e g\u00f6\u00e7 etmi\u015f. Babas\u0131, \u00f6nce \u00e7ay oca\u011f\u0131nda \u00e7al\u0131\u015fmaya ba\u015flam\u0131\u015f, sonra da elini ayakkab\u0131c\u0131l\u0131kla tan\u0131\u015ft\u0131rm\u0131\u015f. Ya\u015far Usta, babas\u0131n\u0131n izinden gitmi\u015f, ancak hayat\u0131n\u0131n d\u00f6n\u00fcm noktalar\u0131ndan birini 1980\u2019lerin ba\u015f\u0131nda ya\u015fam\u0131\u015f. Bir g\u00fcn \u00fcniversite s\u0131nav\u0131na girer, fakat siyasi olaylar nedeniyle okuldan ayr\u0131lmak zorunda kal\u0131r. O d\u00f6nemde ya\u015fanan korku dolu g\u00fcnlerden sonra memuriyeti de d\u00fc\u015f\u00fcn\u00fcr, ancak babas\u0131 ona bu yolu \u00f6nermez. Babas\u0131n\u0131n \u00f6\u011f\u00fcd\u00fc, \u201cMemurlar benden bor\u00e7 para ister, gel sen zanaat \u00f6\u011fren\u201d olur. O g\u00fcnden sonra Ya\u015far Usta, mesle\u011fi \u00f6\u011frenmeye ba\u015flar ve y\u0131llar i\u00e7inde bu i\u015fin ustas\u0131 olur. Ayakkab\u0131c\u0131l\u0131\u011f\u0131n gelece\u011fi Ya\u015far Usta, yapt\u0131\u011f\u0131 i\u015fin sadece bir tamir de\u011fil, ayn\u0131 zamanda bir sanat oldu\u011funu vurguluyor. Mesleklerinin kaybolmak \u00fczere oldu\u011fundan endi\u015feli. Ona g\u00f6re ayakkab\u0131c\u0131l\u0131\u011f\u0131n gelece\u011fi, t\u00fcketim k\u00fclt\u00fcr\u00fcn\u00fcn yayg\u0131nla\u015fmas\u0131ndan nasibini alm\u0131\u015f. Bug\u00fcn, ucuz ve k\u0131sa \u00f6m\u00fcrl\u00fc ayakkab\u0131lar, insanlar taraf\u0131ndan kolayca sat\u0131n al\u0131n\u0131p, at\u0131l\u0131yor. \u201cBir ayakkab\u0131 al\u0131rs\u0131n\u0131z, bir ka\u00e7 hafta sonra \u00e7\u00f6pe at\u0131l\u0131r,\u201d diyor Ya\u015far Usta. Ama o, bir zamanlar bu mesle\u011fin \u00e7ok daha de\u011ferli oldu\u011funu ve Avrupa\u2019da hala bu i\u015fin sanatsal bir de\u011fer ta\u015f\u0131d\u0131\u011f\u0131n\u0131 belirtiyor. Avrupa\u2019da bir ki\u015fi ald\u0131\u011f\u0131 ayakkab\u0131y\u0131 y\u0131llarca kullanmak i\u00e7in tamir ettirirken, T\u00fcrkiye\u2019de t\u00fcketim al\u0131\u015fkanl\u0131klar\u0131 daha bask\u0131n hale gelmi\u015f. El sanatlar\u0131na ilgi azal\u0131yor Ya\u015far Usta, gen\u00e7lerin geleneksel zanaatlere ilgi g\u00f6stermemelerinden \u015fikayet\u00e7i. Ancak sadece ayakkab\u0131c\u0131l\u0131k de\u011fil, terzilik, berberlik, kalfal\u0131k gibi i\u015f\u00e7ilik gerektiren mesleklerde de ayn\u0131 s\u0131k\u0131nt\u0131y\u0131 ya\u015fad\u0131\u011f\u0131n\u0131 ifade ediyor. \u201cGen\u00e7ler sadece okumay\u0131 tercih ediyor, ama el i\u015f\u00e7ili\u011fi \u00f6\u011frenmeliler. \u00c7\u00fcnk\u00fc sadece okumakla hayat ge\u00e7mez,\u201d diyor. Ona g\u00f6re bu meslekler, t\u0131pk\u0131 bir anne hizmeti gibi insanlar\u0131n ihtiya\u00e7lar\u0131n\u0131 gideriyor. Bir ayakkab\u0131 tamir edilerek tekrar kullan\u0131labilir, bir terzi de eski elbiseyi yeni gibi yapabilir. Ya\u015far Usta, bu t\u00fcr sanatlar\u0131n unutulmamas\u0131 gerekti\u011fini vurguluyor. Ya\u015far Usta\u2019ya y\u0131l\u0131n Ahisi \u00f6d\u00fcl\u00fc Ya\u015far Usta, zanaat\u0131ndaki ba\u015far\u0131s\u0131n\u0131 bir ad\u0131m daha ileriye ta\u015f\u0131m\u0131\u015f. 2015 y\u0131l\u0131nda Dersim\u2019de y\u0131l\u0131n ahisi se\u00e7ilmi\u015f. Ahilik, sadece bir meslek de\u011fil, bir k\u00fclt\u00fcrd\u00fcr. Ahilik, esnaf ve zanaatkarlar\u0131n, birlikte \u00e7al\u0131\u015farak topluma hizmet etmeleri anlay\u0131\u015f\u0131d\u0131r. Ya\u015far Usta, bu \u00f6d\u00fcl\u00fc almas\u0131n\u0131n sebebini, yapt\u0131\u011f\u0131 i\u015fin insanlar\u0131n ihtiyac\u0131n\u0131 kar\u015f\u0131lamas\u0131nda buluyor. \u201cBize sahip \u00e7\u0131k\u0131n, bu sanatlar\u0131 ya\u015fat\u0131n. Avrupa bunu de\u011ferli k\u0131l\u0131yor, neden biz de k\u0131lmayal\u0131m?\u201d diyor. Ya\u015far Usta\u2019n\u0131n \u00e7a\u011fr\u0131s\u0131 Ya\u015far Usta, son s\u00f6zlerinde bu sanatlar\u0131n ayakta kalabilmesi i\u00e7in gen\u00e7lerin ilgisini bekliyor. \u201cAya\u011fa kalk\u0131n, bu sanatlar\u0131 ya\u015fat\u0131n, zarar etmeyiz,\u201d diyor. \u00d6mr\u00fcn\u00fc bu zanaata adayan Ya\u015far Usta, hem kendi mesle\u011fi hem de di\u011fer geleneksel sanatlar i\u00e7in gelecekten umutlu bir \u0131\u015f\u0131k yakmaya \u00e7al\u0131\u015f\u0131yor. Dersim\u2019de belki de bir g\u00fcn ba\u015fka bir gen\u00e7, Ya\u015far Usta\u2019n\u0131n izinden gider ve bir kadim zanaat daha hayat bulur. Ya\u015far Usta, yaln\u0131zca bir kundura tamircisi de\u011fil; ayn\u0131 zamanda bir k\u00fclt\u00fcr\u00fcn, bir sanat\u0131n son temsilcisi. Onun hikayesi, mesle\u011fin kaybolmamas\u0131 i\u00e7in verdi\u011fi m\u00fccadelenin bir yans\u0131mas\u0131d\u0131r. DERS\u0130M\/Sevim KAHRAMAN<\/p>\n","protected":false},"author":2,"featured_media":2779,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_joinchat":[],"footnotes":""},"categories":[5],"tags":[109,112,113,14,38,76,105,92,111,90,110,108,99,98,62,107,106],"class_list":["post-2778","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yerel-haberler","tag-adama","tag-ayakkabici","tag-dericilik","tag-dersim","tag-dersim-haber","tag-emek","tag-hayat","tag-jiyan","tag-mazgirt","tag-mucadele","tag-nazimiye","tag-omur","tag-ovacik","tag-pertek","tag-pulumur","tag-sevgi","tag-xebat"],"acf":[],"_links":{"self":[{"href":"https:\/\/radyomunzur.com\/index.php?rest_route=\/wp\/v2\/posts\/2778","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/radyomunzur.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/radyomunzur.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/radyomunzur.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/radyomunzur.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2778"}],"version-history":[{"count":1,"href":"https:\/\/radyomunzur.com\/index.php?rest_route=\/wp\/v2\/posts\/2778\/revisions"}],"predecessor-version":[{"id":2789,"href":"https:\/\/radyomunzur.com\/index.php?rest_route=\/wp\/v2\/posts\/2778\/revisions\/2789"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/radyomunzur.com\/index.php?rest_route=\/wp\/v2\/media\/2779"}],"wp:attachment":[{"href":"https:\/\/radyomunzur.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2778"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/radyomunzur.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2778"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/radyomunzur.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2778"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}